The editing component of HitFilm will feel very familiar to anyone Like resolutions, 8 & 16bit depth, and frame rate. Typical options offered by most video editing and compositing programs The “Project” tab users can specify project settings that include the Setting up your project workspace is simple and straightforward. Particles, motion graphics and editing essentials. Speed takes no time at all, and some of the tutorial topics covered are You to focus on a particular topic right from the get-go. Is a great way to learn what HitFilm is capable of, but it also allows Is new to HitFilm can easily search out what they are looking for. The HitFilm user guide, video tutorials and user forums. Greeted with a simple layout, a homepage that offers direct links to
#Hitfilm pro review software#
Learning a new software is usually becoming friends with the UI, and
The first obstacle any user faces when using or Website and once the software was downloaded, I was able to quickly get HitFilm can be purchased at a cost of $299 USD from the official How the HitFilm workflow handled these two areas of production within
Out there tend to focus one or the other, so I was interested in seeing Hitfilm 3 offers a unique experience of being able to do bothĮditing and VFX compositing within one software. To offer, and we will find out where it stands when compared to some of In this review I will take a look at HitFilm 3 and see what it has These are big players in the VFX and compositingĪrena, so where does Hitfilm fit in? The software also offers editingĬapabilities, so how does it compare to related products like Final
When you think of compositing tools, one immediately thinks of products The market in which HitFilm resides has some fierce competition. Developed by UK-based company FXhome, the software allows users to import media, edit it, composite and add effects to it, then export the results to a variety of formats. Having said that, if you ignore the editor, HitFilm is still a powerful, stand-alone compositing and VFX package – at a very attractive price of £229.HitFilm is an all-in-one editing, 3D and VFX software that prides itself on being a toolset that can be used by independent filmmakers, artists and newcomers to VFX and editing. The editing facilities aren’t strong enough to cut even a short-form production, so not having this workflow integration limits the use of the timeline. There is no way to import or export sequences from/to other software packages – there is no support for AAF, XML or even an old-fashioned EDL. Unfortunately, however, Hitfilm is let down by one, serious limitation. HitFilm is fast – using your graphics card for image processing wherever possible – and seems to be very stable.
Version 3 now has camera projection, OpenEXR and OpenFX support, and HitFilm’s effects are now installed as plug-ins for your NLE – if you use Adobe (AE and PP), FCP X (and Motion) or Sony Vegas.Īll this is wrapped up in a surprisingly intuitive user interface. There are 3D muzzle flash simulations, procedural fire, layer shattering and atomic particles from 3D models, colour correction, and 2D and 3D tracking with Mocha built in.
#Hitfilm pro review full#
There is a full 3D model import and rendering engine, 3D lights and cameras, lens flare, a very capable, physics-based 3D particle simulator (with collision deflectors, gravity and even the ability to modify parameters based on music tracks). Hitfilm’s effects paradigm is layer based – like After Effects – rather than node based like the other three. Perhaps an off-the-wall alternative to Smoke, Nuke and Fusion is HitFilm (Now in its third release, Hitfilm is a surprisingly capable 3D compositing and VFX solution – with the added benefit of editing facilities. HitFilm Pro 3’s Editor, unfortunately not that usable.
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